NBC’s Fall Schedule…

NBC has announced their fall line-up.  Sci-Fi seems to be big this fall, probably because Heroes was one of the only new hits this year.  To an extent, this makes sense.  Sci-Fi never worked that well on the networks (at the time, The Incredible Hulk was the longest running sci-fi show in big three network history, going but five seasons).  That’s because network shows needed big ratings to sustain them.  Now, however, the networks, especially the traditional big three, are in a massive ratings slide.  The big three as late as the ’80s drew in 80% of the national audience.  Last year the ‘big’ four networks drew less than 50% between them, and that’s of the people who were even watching TV in primetime.

This means, as long as the networks can survive on these meager numbers, anyway, that shows will need smaller audiences to survive.  Sci-fi draws small numbers, but again smaller numbers may, in some cases, be enough.  To some extent, anyway.  Something like Battlestar Galactica still draws a puny audience by network standards.

Anyway, NBC will be bringing in Journeyman, which basically sounds like a riff on Quantum Leap:  “a romantic-mystery from the Emmy Award-winning producers of “The West Wing,” concerning a San Francisco newspaper reporter (Kevin McKidd, “Rome”) who inexplicably begins to travel through time and alter people’s lives.”  This will take the slot after Heroes, and should be a better match with that show than the failed Studio 60 on the Sunset Strip or The Black Donnellys. 

More sci-fi fare is also offered.  “Comedic spy thriller” Chuck is about a nerd shanghaied into government service after secrets are imprinted in his brain.  Meanwhile, NBC has given the order to revive and redo The Bionic Woman.  Only time will tell if it is better, stronger or faster than the old series.  Still, David Eick of the new Battlestar Galactica is one of the guys behind it, so that’s cool. 

Life is about a cop who gets his job back after spending a hitch in prison for a crime he was innocent of.  Lipstick Jungle joins the Sunday Chick line-up, and is based on a book by Candace Bushnell of Sex & the City fame.   Brooke Shields is in the cast for that one. 
The IT Crowd is, like The Office, a working-place comedy adapted from a British show. 

Then there’s this:  “NBC “bulks up” with 30 combined episodes of “Heroes” and “Heroes: Origins,” an innovative new spin-off that each week will introduce a new character — one of whom will be chosen by viewers through the “Heroes” website on NBC.com to become a cast regular the following season.”  Hmm.

Returning shows include Scrubs (probably because ABC was planning to grab it if it were cancelled by NBC); the critically acclaimed but low-rated Friday Night Lights; and Law & Order, which was finally on the bubble this year.  Meanwhile, Law & Order: Criminal Intent will continue as a new show, but over on the USA cable TV channel.

There will be some flip-flopping on NBC’s resurgent Thursday night comedy line-up, with My Name is Earl still anchoring at 7:00 (Central Standard Time), followed now by 30 Rock, then The Office, and finally Scrubs. 

Here is the complete line-up:

NBC PRIMETIME SCHEDULE FOR FALL 2007-08

*New programs in CAPS (with the exception of “ER”)

MONDAY
8-9 p.m. “Deal or No Deal”
9-10 p.m. “Heroes”
10-11 p.m. “JOURNEYMAN”

TUESDAY
8-9 p.m. “The Biggest Loser”
9-10 p.m. “CHUCK”
10-11 p.m. “Law & Order: Special Victims Unit”

WEDNESDAY
8-9 p.m. “Deal or No Deal”
9-10 p.m. “BIONIC WOMAN”
10-11 p.m. “LIFE”

THURSDAY
8-8:30 p.m. “My Name Is Earl”
8:30-9 p.m. “30 Rock”
9-9:30 p.m. “The Office”
9:30-10 p.m. “Scrubs”
10-11 p.m. “ER”

FRIDAY
8-9 p.m. “1 vs 100″/”THE SINGING BEE”
9-10 p.m. “Las Vegas”
10-11 p.m. “Friday Night Lights”

SATURDAY
8-9 p.m. “Dateline NBC”
9-11 p.m. Drama Series Encores

SUNDAY (Fall 2007)
7-8 p.m. “Football Night in America”
8-11 p.m. “NBC Sunday Night Football”

SUNDAY (January 2008)
7-8 p.m. “Dateline NBC”
8-9 p.m. “Law & Order”
9-10 p.m. “Medium”
10-11 p.m. “LIPSTICK JUNGLE”

  • sardu

    Seems to me if you consider “Lost” sci-fi (and that’s highly debatable but it does have those elements to some degree) the current popularity of genre entertainment on network TV gets a big shot in the arm, along with Heroes. The sad thing is how the cable alternative, namely the alleged Sci-Fi network has totally and utterly dropped the ball on providing any kind of decent genre programming apart from BSG and those Stargate shows. Oh, and Farscape, canceled in its prime. Bastards.

  • Ken HPoJ

    Yeah, but Lost is slipping something fierce in the ratings these days. The question is can you keep these sorts of stories going more than a year or two.

  • Juet brace yourself for another day or two when ABC announces it’s going to air a sitcom based around the Geico Caveman.

  • Ken HPoJ

    Well, there’s never been an idea so bad or trite that it couldn’t be redeemed by good execution, and vice versa. That said, the whole Caveman idea does seem a little weird.

    Now, if he were roommates with the Afflack Duck…

  • El Santo

    Heroes:Origins sounds like it’s gonna be a high-concept train-wreck. That said, I vote for whoever turns out to be the equivalent of Arms-Fall-Off Lad.

  • sardu

    I think Lost will rally next season. Anyway it has a guarantee to last until 2010. But I see your point… it’s not like Gunsmoke or anything. Of course IF you count all the iterations of Star Trek and IF you count syndication, you have a dang long running franchise there…

  • Songino

    I demand to see Matter Eater Lad on primetime television!

  • Danny

    Serials, I think, can run as long as they’re preplanned. One of Heroes’ big strengths is that is actually answers questions, rather than adding more and more until we realize the writers don’t know the answers either (Lost). Heroes is planned for five seasons, in story arcs. This would, I think, make it the longest-running serial with a single story (24 doesn’t count, as it’s one season/five plots), after Nickelodeon’s weirdly superb Avatar: The Last Airbender (Which clocks in at but three seasons of 20 half-hour episodes).

    That I know of, anyway.

    On an unrelated note, if anyone here has not seen Avatar: The Last Airbender, do so immediately. Calling it the best animated series on TV right now hardly qualifies as a compliment, but it holds it’s own against Samurai Jack and Justice League Unlimited [/fanboyish shill]

    Excepting “Heroes: Origins”, none of NBC’s shows is at all interesting to me. It’s (Origins) almost entirely fanservice, which I have somewhat mixed feelings about. This trend of studios taking input from fans to shape movies *did* produce Snakes on a Plane, but I don’t think it’d be conductive to the long-term health of a television series. Unless the winning character was just a cameo, like Hana from the online comic. But that’d be counterproductive.

    Will any of the new shows have online episodes? I’d consider it at absolute must for serials (I was very interested in Drive, but had to work during the premiere, and was never able to get Fox’s video player to work acceptably, so they were never able to get me as a viewer), and a very very nice thing for anything else.

    Lipstick Jungle? Really? Gah. I don’t think the target audience for that would be awake at 10pm on a Sunday.

  • Hasimir Fenring

    “…a romantic-mystery…concerning a San Francisco newspaper reporter who inexplicably begins to travel through time and alter people’s lives.”

    A riff on Quantum Leap? That is Quantum Leap! Minus the ‘SanFran reporter’ bit, it’s the same show. (And if you’re about to say that Quantum Leap had a time machine so it wasn’t ‘inexplicable’, as a fan of the show at the time I recall the protagonists didn’t know how or why the time travel happened the way it did, with the final episode implying it was controlled by God…if you squint really hard.)

    Still, at least Kevin McKidd gets to do yet another accent on another American TV show.

    Sci-fi draws small numbers, but again smaller numbers may, in some cases, be enough.

    Plus, sci-fi fans tend to be more dedicated than the average mainstream viewer. Compare the mild annoyance of the average viewer upon missing the week’s ER (or whatever ridiculously melodramatic doctor show is popular these days) to the Raymond Babbitt-esque stupor of the average fan of Buffy the Vampire Hugger (or whatever inspirational relationship drama disguised as sci-fi/fantasy is popular these days) upon missing that week’s fix.

  • Jimmy

    I wonder how the American remake of the IT Crowd will turn out. The original show was quite funny but these US remakes of British shows have a tendency to suck badly.