The Films of 2007….

Since we’re already mostly through February, this is a little late, but here we go.  I’ll start with the spate of sequels due out this year, and then continue later with 2007’s other offerings. 

Sequels are back again, and will be jamming theaters this year.  (Other trends of note include the continuing flood of horror movie remakes, and superhero movies.)  However, we’re really in the beginning of the latest surge of them, and because of this, many might actually be good and are likely, in any case, to make a lot of money. 

And then the usual result will occur, to wit, Hollywood will think “Sequels are hot again!” and start churning out sequels to successful films that really didn’t need sequels—Charlie’s Angels, Lara Croft, etc.—and they will suck or just not interest people.  Thus audiences will not support them, and Hollywood will think, “Sequels are dead again!”, and move on to whatever the new trend is at that point. 

Here’s a 2007 preview of big budget sequels.  Oddly, there seem more #3 movies this year than first sequels, and most of them I actually want to see (and this from a guy who maybe sees a dozen movies a year in the theater):

28 Weeks Later:  Probably the only horror sequel this year that I have even a small chance of going to see.  Zombie films aren’t really my bag, but there have been a lot of pretty good ones the last several years.Alien vs. Predator 2:  I didn’t see the first one, so I can’t really comment much on this.  However, I don’t anyone really thought the first one was that great, so there’s no reason that this one couldn’t improve on the first.  Uhm, except that they seldom do.  December. 

Are We Done Yet?  A sequel to Cedric the Entertainer’s Are We There Yet.  Really?!*  This one involves a Money Pit-style ‘comic’ (I’ll bet) house refurbishing.  Co-stars John C. McGinley, who I bet ends up looking really angry at some point.  April.

[*Stupified, semi-appalled “Really?!” exclamation stolen without permission from Tina Robin, the wife of Joe “Opposable Thumb Films” Bannerman.  I guess Tina could sue me, but they’ve got a new baby daughter to keep them busy.  BWAHAHAHA!!]

Bean II:  Mr. Bean returns to the big screen.  You may not remember, but the first Mr. Bean movie, now barely remembered, made a giant crapload of money when it came out.  I expect this will be about the same, mildly amusing, but really something you wait to rent on DVD.  September.

The Bourne Ultimatum (3rd of the Series):  I’ve complained for years about how insanely ‘big’ and overstuffed action films got.  Apparently I’m not the only one tired of this trend, given the success of the Bourne films, which I like a lot.  Interestingly, they seem to have even had an effect on the venerable Bond movies, as Casino Royale was the most scaled-down Bond film since maybe From Russia With Love.  And it was terrific, too.  I will definitely see this.  August.

Evan Almighty:  An interesting idea, to make a sequel to Bruce Almighty but focusing on less-expensive rising star Steve Carrell in order to jettison huge paycheck earner Jim Carrey.  God (Morgan Freeman, again) orders Carrell (who apparently was in the first movie) to build an Ark, ala Noah.  The preview makes it look sort of like The Santa Clause, although that may only be cosmetic.

Harry Potter and the Order of the Phoenix:  They’ve done a pretty good job keeping this series working, and I don’t see why this would be any different.  Add in the publicity over the last Potter novel (due out soon), and expect an even hotter box office than usual for this already venerable series.

The Hills Have Eyes II:  What-ever.

Hostel: Part II:  See above.

Live Free or Die Hard:  This is the fourth Die Hard movie, although from what I hear, it ignores the third one, so it’s kind of a third entry in a way, too.  Even so…another Die Hard?  Really?  I cringed at the trailer when one nervous character notes Willis’ calm regarding the oversized carnage and asks, “Have you done this before?”  It’s supposed to be funny, see?  Because of the other Die Hard movies…get it?  Even though the question is so weird that no real person would ever ask it.  Blech.  June.

Ocean’s 13:  Unlike a lot of people, I thought Ocean’s 12 was at least a decent timewaster.  Partly, that might be because I love heist movies.  So I’ll probably make a rare trip to the theater to see this, although even I wonder if this movie is strictly necessary.  June.

Pirates of the Caribbean: At World’s End (Third of the Series):  I don’t love these by any means, but they are pretty good, and the last one really confirmed Depp’s star status.  Plus, you can’t help but be heartened not only by the hilarious-in-itself appearance of Keith Richards as Jack Sparrow’s father.  Since Depp partly based his character on Richards, that’s comedy gold, right there.  Then too, Chow Yun Fat is joining the cast, and there’s no cooler dude on Earth, even if all his American films so far have been crap.  In any case, there’s no reason to believe this will suck, or fail to make a zillion dollars.  May.

Resident Evil: Extinction (Third of the Series):  A third Resident Evil?  Really?

Rush Hour 3:  Like Men in Black II, a film a studio so hungered to make that they signed off on insanely huge talent deals, meaning it’s functionally nearly impossible for this to make any sort of profit.  And while I like Jackie Chan, c’mon, another Rush Hour?  Yawn.  Aug.

Saw IV:  Never ‘saw’ the other ones (HAHAHAHAHA!), won’t see this.

Shrek the Third:  Liked the first two, so why not this one?  And it answers the question of what the hell Mike Myers has been up to lately. May.

Spider-Man 3:  I actually have a small amount of trepidation for this, despite my essential trust in Sam Raimi.  (Of course, I trusted Peter Jackson’s King Kong, too, and wasn’t entirely happy with that, either.)  While part of this is just the awareness that Spider-Man 2 is going to be very hard to top, I have other qualms.  First…not a big fan of Venom.  Too new-school.  On the other hand, I kind of like the doppelganger thing with Topher Grace.  Still, though, Venom.  Blech.  Second, while Sandman is a lot more up my alley, the whole thing where (spoiler alert) he’s the guy that killed Uncle Ben is a) entirely lame and misconceived and screenwritey in a bad sense, and b) already done, with similarly bad results, in Tim Burton’s Batman.  Third, like the Schumacher Batmans, this thing seems to have waaaay too much going on.  Two villains (maybe three, vis a vis Harry Osborn/Green Goblin/Hobgoblin/Whatever); adding additional supporting cast members (including Gwen Stacey and her father, apparently, which also raises huge continuity problems) to a large extant cast; more romantic travails for Peter & Mary Jane, which is already getting old, etc.  I’m not saying this is awful, but I wouldn’t be surprised to be actually disappointed by this.  I hope I’m wrong, but…  

  • The Rev. D.D.

    28 Weeks Later: As much as I liked the first one, I don’t really see where this is going to go. Just the characters’ further travails in this “zombie” apocolypse? And which ending are they going to use as canon? Unless there’s great buzz I’m thinking rental.

    Are We Done Yet?: Apparently not. I can’t believe the first one pulled in enough money to warrant this. I am very sad.

    Bean II: My reaction pretty much echoes yours.

    Rush Hour 3: The first was a lot more fun than I would’ve guessed. I have only seen pieces of the second, and couldn’t really get into it. And that one had Ziyi Zhang. I’d watch an infomercial for a back hair removal system if Ziyi Zhang was in it, so you can imagine what I thought of the second one. I don’t think I’ll be seeing the third either.

    Shrek the Third: The second one was a step down in my opinion, despite Antonio Banderas’ best efforts and the kaiju-sized gingerbread man. I hope they can switch things around.

    Spider-Man 3: I kinda dug Venom. Still, is he actually going to be in it? I thought it’d be more about Parker’s adventures with the living suit, with him rejecting it and leaving it for dead, only for it to meet Brock at the end of the movie and set up the fourth one. If we have Parker AND Brock with the suit in the same film, that could really clog up the plot (more than it already is).
    That thing about the Sandman…I didn’t like when the Joker was revealed to be the Waynes’ murderers in Batman, and I don’t like this either. I hope they’re going to make the guy he chased in the first one be a case of mistaken identity or something, because that guy did NOT look rough enough to be the Sandman. (Hell, he looked like he’d have trouble taking Paste Pot Pete!) And if any Spidey villian should look like a total and utter badass, it should be him.
    On a different note–when are they going to have the Lizard?? I’ve seen Dr. Connors, so stop toying with me! I WANT THE LIZARD DAMMIT!!
    I too have great faith in Raimi. I pray he can keep the momentum and the magic going…

  • Not that it makes it any more palatable, but “Are We There Yet” was actually an Ice Cube film.

    I thought Raimi was smarter than the “more villains=better movie!” logic, but maybe he can pull it off. Most multi-villain films tend to be so overcrowded the push the excitement out.

  • My hope is that the whole “Sandman killed your uncle” thing for Spider-Man 3 is just to mislead the audience, or something. I’d rather have someone like Scorpion instead of Venom, and it would seem to fit more with the reason Topher Grace is in the film (he was hired to follow Peter at Jameson’s behest) but despite all reason, Venom is rather popular.

    If they had gone that route, in the next movie they could have brought back Doctor Octopus, Sandman, Scorpion, Harry Osborn Goblin thingy, and added two more villains. Then they could have had a Sinister Six movie.

  • Chris Magyar

    I, too, have faith in Raimi. I was kind of hoping he’d go all out and portray the scenario all these superhero movies (and comic books, for that matter) hint at, but never tackle: a world completely panicked and devolving into chaos thanks to all this weirdness. The X-Men movies tackle it from a political perspective, and Batman Begins came pretty close with its climactic scenes in The Narrows. I’d like to see the entire rogue’s gallery for Spidey come through in a cavalcade, completely overwhelm him, and foment real, unbreakable chaos.

    Of course, that’s not the direction Raimi’s going in. He seems to be content mining the usual “Powerpuff Girls” plot of menace-battle-salvation for interpersonal drama, and what the heck, he’s good at it. But I agree, bring on the Lizard.

  • hk

    So…no B-Fest then?

  • jesse

    From what I understand,, Venom won’t be in Spiderman 3. It will deal with the Alien Costume saga, ie Parker dealing with the costume trying to control him, and expelling it at the end. It would dovetail perfectly with having Venom be the main bad guy in part 4.

  • Venom is in the trailer. It’s only for a split-second, but he’s there.

  • Not only that, but they’ve released a bunch of photos of prototype movie toys, including one for Venom. Which would be something odd to do if they weren’t putting him in movie.

  • Ed Richardson

    The Spiderman films are as lame as any other franchise superhero films of the last upmteen years. They feel like you’re auditing someone’s weepy hand-holding therapy session. 75% of these movies are given over to emotional conflict regarding parents, loved ones, abuse, trauma (READ: gay screenwriting)…then about 25% of the movie is really ludicrous CGI on the level of a Playstation 3 game (incidentally, the video game industry makes more money annually than Hollywood).

    Did any of you grow up reading DC and Marvel? We all did. Why can’t Spiderman just kick ass like the comic rather than blow 1 hour plus staring stupidly at Mary Jane’s or May Parker’s tears? I mean, the Hulk for crying out loud! The comic book character just trashed things! In the movie he has “issues” with a girlfriend, daddy, daddy’s girlfriend, and the monster can’t even speak (as in the comics). In fact, Banner’s angst in the movie eclipses the Hulk’s. WTF?!

    Contrast this with one of the greatest summer meatball movies ever: The Matrix (not the horrendous sequels, but the progenitor). There’s no weepy hand-holding, just GO GO GO and the effects, frankly speaking, were much more believable than the sequels.

    Don’t even get me started on the absurd Superman Returns. That director has more interpersonal drama in his movies than a soap opera. The X-Men only worked because there were 10 plus superheroes and villans to keep the action alive and also because they had Hugh Jackman, Patrick Stewart, and Ian McKellen to carry it all off. It’s like they want these movies to be “American Beauty” with action set pieces.

    The three greatest superhero films are as follows:

    1) Bruce Donner’s “Superman”

    2) Unbreakable (slow pacing, but you won’t find a more unorthodox approach to the genre)

    3) The Incredibles

    Spiderman 3 will follow the (yawn) formula of: Mary Jane Cries, CGI flies, Mary Jane Cries again, Parker looks dumbfounded, CGI flies again. Little joke here and there. Three laughable lines will be thrown in to remind you that you’re alive. There will be no drama in the fights because they will be 100% CGI (contrast w/ the Fellowship of the Ring and The Two Towers, where CGI is intercut w/ live action), same as what killed the Matrix sequels (well, that and bad writing).

    I get laughs on this, but I tell you, I would rather watch David Lynch’s “Dune” than sit through any of the Spiderman films, “The Hulk,” “Superman Returns,” “Ghost Rider,” or “Fantastic Four.” And “Dune” is a friggin’ mess! $50 million bucks (a lot in 84) and it looks like the effects were shot on Lynch’s “Eraserhead” budget.

    One more thing. Here’s a major, major gripe I have with these movies: I grew up with these comics and love them. It angers me to no end to think of some idiot screenwriters (backed by a director) sitting at a table over mochachinos going “You know, rather than have Peter Parker’s webs come from his inventiveness, let’s just make them come from his mutation.”

    or

    “You know, why don’t we make Hulk mute and oh yeah, why don’t we throw in this backstory about the father mutating the baby Banner and killing the mother because, you know, there’s not enough going on in this THREE HOUR MOVIE.”

    You. Just. Don’t Mess. With. This. Stuff.

    “Iron Man” is the next up. In the comics, Tony Stark is an alcoholic. Great, run with that. But I swear, if they have him flashing back to being beaten by a father or something completely not in the comic, I’ll puke. Leave the comics alone, keep it lean and mean, and keep it right at 2 hours.

  • The Rev. D.D.

    As far as changes from comic to screen, I think they can be fine if handled right.
    I already stated my dislike for “The Joker did it” in Batman. I don’t think it was necessary to add to the angst–he was an evil murdering whackjob, what more reason does a vigilante need to off him?
    On the other hand…honestly, I’m more inclined to run with Spider-Man growing spinnerets out of his wrists (I know, they should be coming from his butt, but anyway) than with him whipping up some miracle artificial webbing, something science today still can’t pull off, much less back then. I was less enthusiastic about them making Doctor Octopus’ arms self-aware and even capable of influencing his will, and turning him into a tragic figure. I thought it ended up working (mostly due to Alfred Molina), but I like just regular ol’ bad-to-the-bone Doc Ock.
    And if not for the radio serial, Superman would still be just a great jumper, and none of us would’ve believed a man could fly.
    Besides, comic writers themselves mess with things all the time. The Dark Knight is the best example…they took Batman in a completely different direction, and it worked. So well, in fact, that most people probably assume he was always like that. The big two constantly tweak and retweak their timelines, sometimes to their benefit, sometimes not. It seems a natural extension of the comic world to have moviemakers tweak things as well.

    Two quick points…
    1. Despite using the more modern design for him (which was good–that bowl cut never worked), the Hulk originally didn’t speak either. He growled and roared and only slowly but surely started to speak, going through a long period of “caveman talk.”
    2. The makers of Spider-Man have done a good job, I think, of combining live-action with CGI in the fights. The first one hardly had any, save where the GG was soaring around. There had to be more in the second one, but that makes sense–rigging up a real-life fight with a guy packing four independently-acting tentacles would’ve been a logistical nightmare.

  • Ed

    Rev,

    Regarding my gripe about Hollywood Spiderman’s webs coming from his mutation rather than Stan Lee’s original idea of their being generated from an invention by Peter Parker:

    “I’m more inclined to run with Spider-Man growing spinnerets out of his wrists (I know, they should be coming from his butt, but anyway) than with him whipping up some miracle artificial webbing, something science today still can’t pull off”

    Sir, with all dues respect – we are talking about fantasy here. We’re talking about movies and comic books. We know that gamma rays would kill us rather than turn us into the Hulk or Abomination. We know that Batman would be paralyzed within a week of using the bat-grapple on buildings. We know that he would be tracked down by the FBI and imprisoned for vigilantism among about a hundred other felonies.

    My point is fidelity to the comics, not reality.

    Best,
    E