Monday Morning Box Office (02/15/10)…

The Heart Wants What it Wants….

Apparently guys bit the bullet and allowed their girlfriends to drag them to see the ‘star-studded’ but poorly reviewed romantic comedy Valentine’s Day. Starring such luminaries as Ashton Krutcher, Topher Grace, and Jennifer Garner—OK, Julia Roberts and Anne Hathaway are in there too—the film drew a woeful 16% positive rating at Rottentomatoes.com. (Not that that’s stopped director Garry Marshall before; he also directed the repugnant Pretty Woman, which was a massive hit.)

But timing is everything, and the picture banked an impressive $54 million from cuddling ticket buyers to lead the frame. We’ll see what the drop-off is for next weekend, what with the film’s time-sensitive title and all. Still, romcoms generally do well on home video, so this seems like a nice hit already.

Coming in second, and exhibiting little box office magic, was Percy Jackson and the Movie that Looks Just Like a Harry Potter Movie. Despite being made by director Christopher Columbus, who helmed the first two Harry Potter movies, Percy Jackson reviewed rather less wizardry. With an estimated $31.1, it just edged out The Wolfman for second place.

Joe Jackson’s The Wolfman warbled more than howled at the box office, drawing a mediocre $30.6 million (estimated) for the frame. Universal, which has stuttered in its steps to capitalize on its Classic Monsters properties, cannot be overly pleased. (Still, it’s a vast improvement from Van Helsing.) Marvel Comics is presumably a bit taken aback as well, since the Wolfman’s director is shepherding the company’s Captain America movie to the screen. Hopefully that one comes off better.  Here’s a nice summation of The Wolfman’s various production straits, ironically caused by Universal trying to keep the budget low (originally $85 million) while at the same time rushing the film into production.

For what it’s worth, I still think a PG-13 Wolfman movie would have made a lot more sense than an R rated one. And it should be noted that The Wolfman did a lot worse than the raw box office take indicates. Valentine’s Day not only made the most money of the three new arrivals, but cost the least to make, being budgeted at a thrifty $52 million.
In contrast, The Wolfman cost a whopping $150 million (!!). Valentine’s Day thus made about as much in its first weekend as it cost (although the studio will only see about half of that), while The Wolfman made about a fifth of its budget—of which, again, Universal will see about $15 million entire. I wouldn’t be banking on the Creature of the Black Lagoon remake leaping before cameras anytime soon.

So did you guys see anything this weekend.

  • Gristle McThornbody

    The wife was hinting about wanting to go see Valentine’s Day. Thankfully, some bad weather made her want to stay home so we watched the second Narnia film from Netflix.

    Thank you, Mother Nature, for your bad weather!

  • I should note that I’m not at all against romcoms, and indeed, rather enjoy a good one. I saw, oh, Notting Hill when it came out and it was OK. I will say that my prefered period is the classic screwball comedies of the ’30s, like My Man Godfrey.

  • BeckoningChasm

    Man, I really wish Joe Jackson DID direct The Wolfman. “Pretty women walking with wolfmen down my street…”

    (NB: It’s actually Joe Johnston, but Joe Jackson is an inspired substitution.)

  • Plissken79

    The wife and I agreed that Valentine’s Day looked painfully bad (Jessica Biel cannot be a date? Are you kidding me?), the reviews for Wolfman were awful, so we saw Percy Jackson. It was better than I thought it would be, although it would have been nice if Kratos from God of War had shown up at some point. We will see if it has any box offive legs

  • P Stroud

    I took my wife to see the PJ & the Olympians today and was underwhelmed. It’s aimed squarely at the teenage demographic. That’s fine as far as it goes but it doesn’t have the depth of the Harry Potter series… not even close. It’ll take the 14 year old girl demographic to make this franchise work. Who knows? It worked for Cameron. At least the characterizations, plot and screenplay showed 10 times the depth of Avatar.

  • BeckoningChasm

    After reading the article, it’s clear that the biggest problem with The Wolfman, the one from which all their other problems came, was that no one had any idea of what a “script” was. All this floundering could have been saved if they had someone write a script with a beginning, middle and end, with characters and dialogue in the midst of it.