It Came from Netflix: Doctor Strange: The Sorcerer Supreme (2007)

 

 When I started watching this, I became increasingly depressed as the film unspooled.  (Well, it was on DVD, so it didn’t ‘unspool’, but you know what I mean.)  And although the film finally did pick up a lot towards the end, it still leaves me depressed as to the state of the Lionsgate / Marvel animated movie thing.

At one point, plans were to release a new animated film every quarter.  This slacked off almost immediately, and now the ‘preview’ (of sorts) on the Doctor Strange (should be Dr. Strange, actually) DVD promotes the next project, which is due for Summer 2008!  And *that* film offers not one of Marvel’s zillions of established characters, but newly minted “children of the Avengers in the future” types presumably meant to ape DC’s Teen Titans.  (Marvel does have a comic called “Young Avengers” now, with teenage versions of many of the classic Avenger characters, but this seems unrelated.)  I don’t know, that just seems dumb to me.

The first of the four films released so far, Ultimate Avengers (a grittier alternate universe version of the classic Avengers), was pretty decent, with a great fight between the Hulk and the other Avengers.  However, while it was a good start, it wasn’t a home run, and I was really hoping the follow-ups would continue to improve.  Sadly, that first film remains the high mark so far.  None of the follow-ups is bad, but neither are they great.  Basically, I just found Ultimate Avengers 2 and Iron Man largely uninvolving.  And as a Marvel Guy, I wanted them to be terrific.

Doctor Strange continues many of the series lamer qualities.  The story is too somber (remember when comics were fun?!).  The animation style is utterly bland.  They seem entirely too concerned with making the hero ‘likeable’.  Things move way too slowly in the early part of the film, as if they are terrified that the audience won’t ‘get’ stuff.  I spent the first twenty or so minutes—and the film doesn’t last much longer than an hour—gritting my teeth and saying “Get on with it!”  On a side note, Strange himself is introduced with a goatee beard when things start, and thus looks entirely too much like the Tony Stark (Iron Man) featured in all three of the previous animated movies.

I’m not a huge Dr. Strange fan, I must admit.  I never really liked mixing magic and superheroes.  (Uhm, except for Ghost Rider, I guess.)  On the other hand, I do love what Bruce Timm and the crew over at Justice League Unlimited did with Dr. Fate, who they made a much spookier cat.  That show even did a Defenders story, which is a Marvel team, using Fate to fill in for Strange, Solomon Grundy for the Hulk, and Aquaman for Namor.  And it totally rocked.  This…not so much.

In the comics (created by Stan Lee and the great Steve Ditko, a perfect artist for this character and his other dimension adventures),* Dr. Stephen Strange was a world-class surgeon and a world class dick.  Karma paid his back with a car accident that messed his hands up.  Destitute, he traveled the world, looking for some way to fix his mitts.  Finally, he desperately ends up in Tibet, having heard rumors of a magical healer called the Old One.
[*Strange’s origin story appears in the gorgeous and essential hardcover reprint book Marvel Visionaries: Steve Ditko.  Great stuff.]

Strange seeks out the Old Man’s remote temple in the mountains, but has trouble believing in magic.  However, when the Old One is magically assaulted by his student Mordo, Strange intercedes, and becomes the Old One’s new and more authentic pupil.  His destiny is to become the Master of the Mystic Arts, the Sorcerer Supreme.

The film basically follows this playbook, but they just can’t bring themselves to portray Strange as an irredeemable prick, presumably for fear that we will find him *gasp* unsympathetic.  So we are given a backstory that *sigh* reveal’s his Secret Pain.  Gaak.  This really adds nothing to Strange’s ‘depth’, and again messes up his clean origin story.  Sometimes the myths are fine as they are, and primary colors are better than more muted ones.  This back story stuff in the movie is what really slows us down, and again, they hit every single bleeding note entirely too blatantly.

Things open nicely, with Mordo (at this point an unruly but so far faithful student of the Old One) leading a team of buff magic-users to fight a mystical monster.  Despite the concealment spell of Wong, a fellow student—in the comics, Strange’s manservant—a bypassing Strange sees both them and the beastie.  This is a nice touch, showing that Strange has some innate ability already.

Then we get to the ‘Strange is a dick’ part, followed hurredly with the ‘but he’s really just in pain!’ stuff.  Meanwhile, it’s a later mystical event that causes the car crash that messes up Strange’s hand.  Guess what, the story works better when he himself caused it, probably because he was out partying somewhere.  This change again, I guess, was meant make him more ‘relatable’ and to ‘tie together’ with other elements of the origin story.  Screenwriters love to ‘tie things together,’ despite the fact that this often wrecks some essential underpinning of the characters.  See the Joker as the killer of Batman’s parents in Tim Burton’s Batman.

Once Strange finally goes on his quest, though, things start picking up.  He goes for the normal ‘do this useless stuff / why am I doing this useless stuff’ phase until he finally learns how to get past himself.  By then, Mordo has betrayed the Old One, and things proceed nicely from there.

One thing that doesn’t make sense is the timeframe.  Strange seems to spend a fair amount of time in the isolated temple (although frankly he should spend years there learning his skills).  However, when he returns to civilization and the main storyline, which involves kids that were in a coma before his car accident, we see them again and they look exactly the same.  Somebody really should have caught that.  Strange really should have been out of action for a decade between seeking a medical cure for his hands, giving up and going to the temple, and then learning his mad sorcery skillz.  But not.

Still, if you can get past the first part of the movie, it’s pretty good stuff.  And again, I’m not much of a Dr. Strange fan.  (Although he’s been used well in some storylines, and is a major player in the Marvel universe.)  Still, and again, these movies *have* to get better.  And with a year off until the next one, with newly created characters, they seem to be moving in exactly the wrong direction.

What should they do?  I have thoughts.  But that’s another article.

  • Joe Evenson

    I agree that the movie did drag, and the attempt to make Dr. Strange more sympathetic (and reveal his ‘secret pain’) was rather cliche. Still though, I enjoyed the movie. My main complaint was the pacing…as you said, the movie was relatively short. While watching it, I couldn’t help but feel that the movie was meant to be 15 or 20 minutes longer, as the big apocalyptic threat (and corresponding action scenes) seems to show up rather abruptly as the movie stands. Also, the final monster was pretty unimpressive (the cloud of bat-like things), especially compared with the others we saw the mages fighting earlier in the movie (like the dragon monster that Strange sees the mages see).

  • Yeah, the Dormmamu didn’t quite have the kick he should of. And I agree it was poorly paced, with the early boring material getting way too much scream time.

    Even in animation, though, action scenes are more expensive than static ‘character’ scenes, and changes are the budget compelled, as it often does, so many minutes of action, so that those requirements loomed over those of the plot.

    Like I said, though, and let me say it again in case I failed to get this across, once you get into the movie, it gets quite a lot better. I liked it more than the last two, even with my qualms.

  • Danny

    “The story is too somber (remember when comics were fun?!).”

    You’re reading the wrong comics, I think. I’ve heard fantastic things about Squirrel Girl and Great Lakes Avengers (Admittedly, both solidly and happily camp. I’m not the kind who cares much about that, though), but the best comics nowadays are the online ones. Which are also free.

    Let’s see, let’s see…

    If you’re a fan of old B-movies, you should probably check out Narbonic (http://www.narbonic.com/), the story of a Mad Scientist out to conquer earth. It’s fun, and is also complete, so there’s no real worry about the story dropping off suddenly. The first few months worth of strips (It’s a newspaper-style comic, with an ongoing plot) have rather mediocre art, but it gets better fairly quickly. The commentaries are also fun.

    Girl Genius (http://www.girlgeniusonline.com/comic.php) fits in much the same niche, but in a different manner. Narbonic is a comedy with a plot. Girl Genius is a plot with some comedy. Occasionally, it delves into the Heterodyne Stories, which are just fantastic. They’re sepia-toned tales “Based on a True Story” within the comic’s universe. One starts here, and is short enough that you can pretty quickly decide whether or not the comic’s worth your time: http://www.girlgeniusonline.com/comic.php?date=20030804

    Gunnerkrigg Court (http://www.gunnerkrigg.com/index2.php) is pretty good, as well. Kind of hard to describe. It reminds me of a lot of the more interesting parts of Harry Potter.

    Order of the Stick (http://www.giantitp.com/) starts off a bit slow if you’re not a big Dungeons and Dragons fan, but quickly picks up to be one of my favorite comic strips. As I implied, it’s a DnD-comic, but it shares a lot with superhero fare.

    Oh, and Shortpacked! (http://www.shortpacked.com/index.html). It’s just…Shortpacked!

    There’s also Unshelved, the comic for librarians by librarians (http://www.unshelved.com/Default.aspx), which is basically a newspaper-style comic. I don’t much care for it, but it might be your thing (*Stereotyping*)

    In terms of SUPERHERO webcomics, there a quite a few that I’ve heard launded, but I’ll have to look them up. If you’re interested.

  • Thanks, Danny. All the more reason for the Marvel movies to not all be so grim. Lighten up a little, for Pete’s sake.

    (Pete Parker, that is.)

  • hk6909

    Yes Ken, I remember when comics were fun. And I miss that.

  • fish eye no miko

    “Screenwriters love to ‘tie things together,’ despite the fact that this often wrecks some essential underpinning of the characters.”

    Plus, oftentimes, the coincidences pile up to the point of ridiculousness.

    Also in some cases, if you connect too much… Ok, let me see if I can explain it: If you have a guy who saves someone just because it’s the right thing to do. OTOH, if he does it cuz he’s some how connected the the person, it’s still a good thing, but it’s less altruistic.

    Did I explain that well…?

  • A big response for Lord Begg, the regal rambler of the realm.

    “children of the Avengers in the future…I don’t know, that just seems dumb to me.”

    No, it doesn’t seem dumb, it is dumb.

    Iron Man was terrible generic crap. I fastforwarded through the whole thing and found next to nothing worth stopping for. The best part was predicting to my brother that there was going to be a mysterious ancient prophecy of an armored warrior that is destined to save *whatever* and being totally right. The fact that the story they went with is the most incredibly generic nonsense that I came up with in half a second shows what a disgrace the movie is.

    The special features where the creators think they did a good job was a laugh, though. Their silly censorship with the fog-laden bathroom was a sad laugh to. Superhero comics in the US revolve around this hypocritical idea of showing female characters highly sexualized but never naked, because, of course, nudity = porn, no matter the situation. The readers want it, the creators want to do it, but even in non-Marvel/DC superhero titles, they still have the fear and the save the children thing. Newsflash guys, those kids you’re trying to save/woo are not reading your stuff to begin with, they’re reading manga with more sexual elements than you’ll ever have.

    Per example, for fun in your own lives, find a highschool or so girl and ask her what yaoi is.

    There was also a preview for the Dr. Strange movie that was beyond boring. How much of the film is wasted with that stupid and generic team of magic-users?

    The big problem with all of these Marvel films coming out is that they keep ignoring the greatest strength that Marvel can offer: the Marvel Universe! These characters do not all live in their own separate Iron Man world, Spider-Man world, etc. I know the live action rights are all over the place, but they could at least suggest they could all be in the same universe. That’s why the best multimedia Marvel release by default is the game Marvel Ultimate Alliance. Tons of playable characters and a ridiculous amount of NPCs that extensively reference their actual canon history, it is the game for True Believers.

  • Flint Paper

    Once we heard about this movie (after watching Iron Man), a friend and I isolated what the problem with this movie was going to be, and your review proves us right. Then we went ahead and worked out what a much much better treatment would have been, while still satisfying LionGate’s apparent desperate need to screw with the backstory: basically, Wong is the go-to guy for the viewpoint char; he’s a hotshot young doctor with *no* mystical or martial abilities, just a brilliant surgeon: talented, insightful, arrogant. “House” without the groupies. A man is brought in with an ailment that defies all treatment, all diagnosis. Wong starts to get obsessed with the case, when an older surgeon calls a favor from an old friend: one Stephen Strange. Wong’s read some of his old articles, as they were so far ahead twenty years ago they’re still cutting edge now that technology’s caught up with his mind, so he contrives to see what they old retired pro’s gonna do. Dr. Strange quickly determines the cause to be mystical and drops a quick spell on it, while faking another path for the diagnosis and treatment so that nobody picks it up. Wong becomes extremely pissed off that this superstitious crap is allowed to be played around with in the hospital and calls Strange out as he’s walking by. The doctor ignores him. Wong bullies his way into taking over the case and in researching some more he makes a couple of intuitive leaps and goes to follow up personally with the patient, who has been discharged and returned home to report to his master, Baron Mordo, who has in turn thrown in with Dormammu in exchange for being Sorcerer Supreme of a newly Faltine-dominated Earth. Wong witnesses a glimpse of what’s going on and bolts, thinks he’s going insane, and eventually is forced to seek out Strange as the only person who might believe him. At the end, Strange has taken Wong as his apprentice — reluctantly on Strange’s part, pragmatically on Wong’s. We even had it setting up for a sequel featuring Mephisto, who was using Dormammu as a stalking goat, introducing Clea, and Strange was going to have to make peace with Silver Dagger to defeat Meph…plus we touched on the fact that there are more heroes than just the one in the MU (name-checking the FF and Avengers). Also we had the Mindless Ones, so right there it would’ve easily been the best thing ever in a Marvel movie.
    But the point of all that was that Strange’s origin story needs to have him being a normal guy and a dink, and as such is perhaps best told in flashback. A short one. But one that acknowledges that Strange was entirely at fault for the accident and that he’s come to terms with it and made his peace with it.
    Anyway, that’s what we would’ve done with it. Not that it matters now.

  • BigGSN5 touches on one of my complainst about these movies, which I’ll probably write a follow-up piece on. The films have offered up really lame villains, or versions of villains, rather than the traditional interpretations comic fans would presumably crave.

    The Ultimates movies have, like the comics (I can’t remember why Marvel demanded this) themselves, a very boring stand-in race for the far more interesting Skrulls, a race of aliens who have been around since Marvel’s second superhero comic (FF#2). If the Skrulls were featured, the movies would have had a lot more kick. I also think it was dumb to bring back the aliens as the menace for the second film. Move on, folks. It’s a big universe.

    Why do the Mandarin in the Iron Man movie if you have to strain so hard not to make him ‘stereotypic?’ And the Doc Strange movie’s Dormammu is, again, pretty lame.

    I think this is because the makers of these Marvel films believe everything has to be all updated and mod and anime-inflected and grit-a-sized. Really? The Bruce Timm-run DC cartoons have somehow managed to be fun, honor the DC universe’s long history, and yet speak to fans very convincingly. Marvel needs a Bruce Timm…but again, that’s another article.

  • Dan Coyle

    A few years ago, J. Michael Straczynski did a similar cleanup job on Dr. Strange’s origin with the miniseries adaptation of his movie treatment Strange.

    If you’re trying to make Strange less of a prick in his origin (and JMS’ take didn’t even have a secret pain, he was just a bit inconsiderate) you have a complete misunderstanding of what Steve Ditko was going for. You might as well not write the character at all, because you don’t know what’s going on.

  • Remember that movie where Harrison Ford was a prick yuppy, who experiences a moral revelation after being shot? Regarding Henry or something? That’s basically Steven Strange. I don’t see why hanging a lot of baggage on that concept makes it more ‘sophisticated.’

  • I think this is because the makers of these Marvel films believe everything has to be all updated and mod and anime-inflected and grit-a-sized. Really? The Bruce Timm-run DC cartoons have somehow managed to be fun, honor the DC universe’s long history, and yet speak to fans very convincingly.

    You just really nailed it there, Ken. The DC cartoons of the last 15 years have been so phenoninal precisely because they didn’t try to artificially update them. They went back to the source material and used what made these characters great to start with. For some reason the honchos at Marvel seem to have meetings where they say “hey, the stories and animation in those DC ‘toons are awesome. I know, let’s do the exact opposite!”

    For the record, I unlike you am a Dr. Strange fan. I have damn near every comic he’s been, from Strange Tales #110 through “the Oath”. I watched this with a friend who doesn’t know Strange but does know comics generally. Both of us thought it was a mess.

  • I hope it didn’t sound like I was knocking Strange. In fact he’s often used pretty well and have been in several stories I really liked. And he’s certainly a venerable character in the MU. Again, I just really don’t think that magic and superheroics works that well together.

    It can, in some case. I remember a team-up story where Strange recruited Spider-Man for an other-dimension adventure, because he needn’t somebody to physically guard his back while he does his magic thing. That makes sense. And the fact that the Hulk can detect his projected self has always been kind of neat, although I don’t know if this ability to detect supernatural stuff has always be pursued.

    What did you think about that mock-Defenders story in the Justice League series? If they *ever* make an actual animated Marvel movie that good, I’ll be in hog heaven.

    And you’re right, going back to basics (as Timm does) is exactly my advice for Marvel. Get off this anime kick.

  • Speaking of point;ess baggage added to origin stories, I hear the dreadful new Halloween remake establishes that Michael Myers was abused as a child.

    Again, why can’t people understand that when you achieve a mythic resonsance with a character, that ‘deepening’ him generally ruins what makes him work in the first place.

  • No no… I know you weren’t knocking the character Dr. Strange. I mention my fandom only to point out that this isn’t one of those things that “normal” people dislike but is enjoyed by die hard fans.

    Nope. This thing is lousy for everyone. The Doctor deserves better.

  • Dan Coyle

    Interestingly, Dwayne McDuffie, who’s credited with writing some of the better episodes of the Timm Justice League, has finally landed on the current comic iteration, starting with issue #13 this month, and is wrapping up a run on Fantastic Four as well.

  • The Rev. D.D.

    Michael Myers was….abused?

    Are you kidding me with this?

    That completely negates the whole “he’s evil incarnate” angle that was the crux of the original movie! He wasn’t lashing out at a world that wronged him, he was The Boogeyman! That’s why he was scary–no one knew what he did, or why…he just did it! The way he thoughtfully regarded the guy he’d just impaled to the door…it’s scary because who knows WHAT’S going through his head!
    I guess in the remake he’d be thinking, “Take that, Daddy!” Bah! BAH I SAY!!

    I had a bad feeling just hearing it was being remade. I figured I might see it anyway. Then I heard it suffers from the modern horror curse of sex and gore and nothing truly scary, so I thought, “Eh, maybe a rental.”
    Now I’m not even sure I’d watch it for free.

    Dammit Rob Zombie, I tried to defend you before, but this? You’re on your own.