This week on DVD (07/31/07)…

Perhaps the biggest release of the year (at least for me) is the loooong-await release of the Fleischer theatrical Popeye cartoons of the 1930s. These black and white gems are some of the finest cartoons ever, ranking up there with the best of the Warner Brothers cartoons. Yet they have never had an official video release, on tape or DVD, because of murky rights issues. Now, finally, they are coming out, and coming out right.

This week’s Popeye the Sailor 1933-1938: Volume One (the second volume is due out next year) offers a very meaty 60 cartoons on four discs, including the first appearance of Popeye in cartoon form, as a guest in a Betty Boop short. Also included are two of longer color cartoons the Fleischers did, although I am not so much a fan. Extras include Popeye retrospectives, commentaries on some of the cartoons and ‘behind-the-toons’ featurettes. The set will cost you close to $50, but it’s worth it. Astounding stuff.

Meanwhile, action movie fans will be able to add Hot Fuzz to their DVD libraries, as no doubt the main characters of the film itself would do. Made by the Shaun of the Dead guys, this is a stylish, very funny action/mystery spoof, and features a great cast including Tim “James Bond” Dalton and Edward “The Equalizer” Woodward. By the way, why isn’t The Equalizer out on DVD yet? That was a great show.

TV collections this week include Archies: The Complete Series (the cartoon series that spawned the only hit song from the endless number of pop tunes cranked out for dozens of Saturday morning cartoon shows of the period), Biography: Karloff, the Gentle Monster, Complete Space 1999 Megaset; Complete Thunderbirds Megaset; Dallas S7; Hawaii Five-O S2 and Sabrina the Teenage Witch S2.

On the movie front: 20 Million Miles to Earth gets a two-disc special edition, including a colorized version of the film that I guess Harryhausen has given his OK to. If you can get past the whole moral /aesthetic idea of colorization, then I guess this is a good one. Other extras include a Harryhausen commentary, a making-of documentary, an interview with Harryhausen conducted by director Tim Burton, and a documentary about the film’s composer, David Schechter.

300 surely needs no introduction, and presumably looks fabulous on huge hi-def TV sets.

Blue Water, White Death is a famous 1971 documentary on great white sharks, featuring at the time astounding underwater footage of the beasties. Basically the film is the grandfather of the Discovery Channel’s annual Shark Week.

Cosmos: War of the Planets is one of those great, goofy, utterly insane Italian sci-fi films of the ’60s. Can’t miss stuff.

Dead Clowns is a zombie clown film. Hard to see how that wouldn’t creep people out.

Film Noir Classics Collection Vol. 4 is Warners’ latest Noir set, rescuing the usual collection of well made crime mellers from unwarranted obscurity. For under $50, you get ten films, all (!) with commentaries by film historians. We’re almost used to this sort of value by now, but we should still be glad for it.

Free White and 21 is a Larry Buchanan racial drama. Buchanan had a real interest in making social dramas, often highly paranoid and sleazy ones, despite being better known for hilariously cheap sci-fi movies like Zontar, Thing from Venus.

Mutant Monsters Triple Pack: Features The Being, The Dark and Creatures from the Abyss. I think these have all been available on disc already, but here they are in one cheap package running about $15. If you like cheesy monster films, these certainly fill the bill.

Peter Benchley’s Creature: Yes, this is that TV mini-series starring Craig T. Nelson, and about a murderous Shark Man. Who, if I remember correctly, has been known to hide up in trees. Hmm, I might have to give this one a more extended look.

Roboman: Also know n as Who?, this 1973 spy thriller sounds too weird to sum up in a sentence or two. Further details here. From this description, the cheesy box art looks quite misleading. Stars Elliot Gould and Trevor Howard.

  • FS

    The further details link for Who? appears to be missing. Apparently this is based on Algis Budrys’ 1958 paranoid SF thriller of the same name.

  • BeckoningChasm

    Who might be a good film, but the combination of “Elliot Gould” and “1973” probably means it will have dated pretty badly. But boy, what a revised title. Wasn’t there a comic strip by that name?

  • I just tried to order Blue Water, White Death on Amazon and it’s Region 2 encoding only. What the hell?

  • fish eye no miko

    Ken said: “_Blue Water, White Death_ […] Basically the film is the grandfather of the Discovery Channel’s annual Shark Week.”

    Hey, guess what I’m watching now?! ^_^
    Maybe I should rent this, sounds interesting; though great whites are far from my favorite sharks.

    Ken said: “_Peter Benchley’s Creature_: Yes, this is that TV mini-series starring Craig T. Nelson, and about a murderous Shark Man.”

    I always get _The Creature_ confused with _The Beast_… despite both being by Peter Benchley, they’re very different films (_The Beat_ is about a giant squid), so I’m not sure why…

  • James: I think the Amazon listing for Blue Water White Death is a mistake, then. For instance, Deepdiscountdvd has it bannered on their front page, and they wouldn’t do that for a region 2 release. Also, Netflix has listed it, and it’s the same thing there.

    Thanks for the link notice, FS. I’ll fix that.

    Fish Eye: The proper response is [Alex Trebec voice], “Because they both suck…they both suck.”

  • Chris Magyar

    Harryhausen not only blessed the colorization, but apparently has been praising it in the media, saying he would have shot in color if he could at the time, and that the models look better.

    This also is a technical step up from the Ted Turner experiments — apparently, the shading and rendering capabilities of modern effects software make the colorization look much more natural. I’d be curious to see what you think if you gander a copy.

  • Chris — I’m sure I’ll be renting a copy, so I will give a report. Certainly Harryhausen’s approval eases my qualms about this sort of thing.

  • Brad

    I remember seeing little bits and pieces of “Who?” on TV maybe fifteen years ago. The special effects and makeup were laughable, but the storyline itself, if I recall, was quite interesting. I’d be interested in checking this one out, just to see if good ideas can trump low budgets… and if its ideas were as good as I remember them.

  • sardu

    Some of that new colorized stuff looks great. The Three Stooges stuff that they colorized is a real eye opener. I have no idea what the point of the classic Stooges in color really is, but apparently it made a great proof-of-concept for the new process.

  • Just got my Popeye set! WHEEEEEEEEEEEE!!!!

    And the Cubs are in first place. Life is good.