It Came from the Long Box: Champions #1

Issue title:  “The World Still Needs Champions”.  (An odd titles, since there had never been a Champions team in the Marvel universe before.

Actually, I’m cheating, as I’m working from the first of the two recent and happily full color Champions Classic trade paperback editions.  These seem to bring together most all of the Champions sporadic appearances, save the one in Godzilla #3  (I was so burned when I got that issue and Ghost Rider wasn’t included!)  and the recent ‘flashback’ appearance in a Hulk annual.  The first paperback collects Champions 1-11.

The Champions was a weird, half-assed superhero team assembled from scratch for no real purpose, and including a bizarre and arguably unworkable bunch of second banana stiffs.  (Of course, an Alan Moore could have made the book a classic, but that’s always the case.)

Of the assembled cast, only Johnny Blaze / Ghost Rider had his own book.  The rest of the team including ex-Soviet agent and Daredevil’s one time lover the Black Widow (Natasha Romanov), Hercules (in Marvel sort of a second grade Thor knock-off, albeit more juvenile and hence potentially more fun at times), and two ex-members of the original X-Men, the winged Angel / Warren Worthington and his chum Iceman / Bobby Drake.  Like presumably many of the book’s small cadre of readers, I was mostly drawn to the thing by Ghost Rider’s presence.

The book’s initial issue is fully in step with the ‘what the hell?’ nature of the project.  Weird things happen one morning at a college campus in Los Angeles, but by sheerest (and laziest) coincidence, pretty much every one of the handful of Marvel superheroes on the west coast manages to be onsite when they do.

Bobby is a newly arrive student, and Warren is visiting him.  Suddenly a wormhole opens and a bunch of full-fledged harpies spills out.   Iceman and Angel gear up and attempt to fight them off.

Meanwhile, none other than Natasha Romanov is in a nearby building, applying for a teaching gig (and in introduced wearing her Black Widow full-length bodysuit, complete with wrist blasters, cleverly ‘camouflaged’ by the addition of a small skirt!).  She also comes complete with an Official Sidekick, a (as far as I know previously unseen) long-time associate/fellow spy/now chauffer named, inevitably ,Ivan, who comes complete with a Stalin mustache.

Some Amazons (!) spill out of another teleportation portal, and call for the goddess Venus.  It turns out (did I mention the level of coincidences here are hysterical?) that this being, in incognito mortal guise and, is the very person Natasha was going to interview with for the teaching job!  She happens along just as Black Widow is preparing to battle the sword-waving Amazons.  BW gets Venus to safety, not getting the whole ‘goddess in disguise’ thing.

Just then, a motorcycle-riding Johnny Blaze appears on campus, having coincidentally just arrived from his then current Hollywood stuntman job to come deliver a package for a friend.  The writing here is indeed impeccable.

At this point in time, Blaze turned into Ghost Rider automatically when danger was about, sort of like Spidey’s spider-sense.  He also basically had complete control of GR during this period.  So he finds himself changing, and soon confronts Cerberus, the guardian of Hades, who here is a gigantic golden dude in armor.  (??)  After taking a blast of hellfire, though, he does transform into the more typical giant hound.  Realizing that he’s out of his league—at this juncture, he was just starting to do the superhero gig—GR drives off hastily.

THEN…we learn that, are you sitting down, the college is hosting a special guest lecturer on mythology that morning…none other than Hercules, the actual Son of Zeus.  (Which calls the whole idea of ‘mythology’ into question, doesn’t it?)  Let’s see, there’s like a teeny handful of demi-gods hanging out on Earth, and two of them end up the same morning on the UCLA campus?  Whatever.  After a weak in-joke about then Marvel writer Roy Thomas, a bunch of demons appears in the hall for no apparent reason whatsoever and attack Herc.

GR, still pursued by the big dog, just happens to drive past as Herc and the demons come smashing their way through a wall.  He invites Herc to jump on his bike (what a weird image, with Hercules riding in the bitch seat of a leathers-clad, flaming skull-headed biker!) and off they go to regroup.

Within a couple of frames all of the heroes and villains collide and a purported battle royale breaks out.  GR takes on the Harpies with his mystical hellfire, Herc naturally decides to tackle Cerberus, who he of course has previously defeated during his “labors of” phase, and the mutant heroes and Black Widow attempt to deal with the Amazons.  The tide changes decisively in their favor when Venus reveals herself and helps out.

As the victors attempt to hash things out, though, they are attacked again.  Their new foes turn out to be lead by none other than the regal Pluto, Lord of the Underworld.  Zeus, we learn, has decreed that they fetch Herc  and Venus back to Mt. Olympus.   This is so that a couple of hastily contrived arranged marriages can take place; to Hippolyta and Ares, respectively.  “And before thy shocked countenances fain leap from thy faces, know ye this,” Pluto warns.  “Shouldst either of you resist these matches, THE UNIVERSE DIES!”

And on that cliffhanger ends our (too) action-packed 19 page tale, including bookend splash panels (art panels taking up an entire page).  As noted, the storytelling barely and laughably exists to get all these folks together.  Meanwhile, the artwork by long-time Marvel hack Don Heck (that might be a little harsh, but Heck really wasn’t a very good artist) is lame and marked particularly by his trademark ultra-stiff layouts and character postures.

Not a very good beginning, but join us again for Issue 2, “Whom the Gods Would Join…”

  • I remember laughing when I read this book and found out how the Champions was formed. Every other team has its share of coincidences (usually tied to an invading alien or something) but Champions #1 is just ridiculous. Especially since this takes place on the west coast, which doesn’t have as many super-heroic resources as the Marvel east coast.

    Also, people can read this book online here. It’s somewhere on the list, especially if you look at them by title. You have to register, but doing so lets you read a bunch of comics. It has other supposed perks, but the comics thing is the best one.

  • Ken HPoJ

    Thanks, Mike, that service is really great!

    Yeah, Marvel put out some poorly written books back in the day, but this is nearly unequaled for it’s bold, who cares? attitude. “And then he jumped into a car…and it wsa being driven by Spider-Man, who stopped for coffee, little knowing the woman at the drive-in window was the Disco Dazzler, who just moments earlier had served a Mocha Latte to none other than…”

    The really sad thing about the Champions, as evidenced by the two books, is that with the arrival of Bill Mantlo as a writer and Bob Hall and (especially) novice penciler John Bryne as artist, the book was really starting to shape up right as it was being cancelled. A little more fan patience might have led to a series that people would look back upon as a classic.

    To see what I mean about how far the book came (again as the Powers that Be were preparing to can it), check out the service Mike mentions, and compare Champions 1 to Champions 12, after Bryne and Mantlo arrived. The gulf between the two is staggering.

  • Oh, also the Champions’ “Godzilla” appearance is in, predictably, the “Essential Godzilla”.

  • I’m not hugely familiar with Heck’s artwork, but I have seen one or two early issues of Iron Man and they were fairly well drawn. In “The Comic Book Heroes”, by Will Jacobs and Gerard Jones, they mention that by the 70s Heck was having health problems or something and was cranking out art just to pay the bills, which apparently made him the target of fanboy scorn, which Jones and Jacobs thought was unfair.

  • Luke Blanchard

    Tony Isabella has written that his original concept was for a buddy book featuring Angel and Iceman.

    Venus had a Marvel series in the 50s, which tried a variety of genres (Don Markstein’s Toonopedia has an account). In the opening issue she came to Earth and took a job as a journalist. Bill Everett drew the series towards its end and brought her back as a college professor when writing and drawing [i]Sub-Mariner[/i] in the 70s.

    Otherwise the story builds on a memorable [i]Thor[/i] storyline that reached its climax in [i]Thor[/i] #130. With the assistance of Hippolyta, Pluto tricks Hercules into signing a contract to take his place in the netherworld. The only way out is for someone else to fight all the forces of the netherworld on Hercules’s behalf. Thor takes on the challenge. His first fight is with the armoured guard version of Cerberus. In that issue he doesn’t transform.

    This is my first post here, so I’d like to say hi and how much I’ve enjoyed reading your reviews over the years.

  • Thanks, Luke. I vaguely remembered part of that background, and it does indeed come into play more in the second issue (recap upcoming).

    Heck had some memorably work, including his art on the early stories of Iron Man back when he was in Tales of Suspense(I think). However, and if he was ill that’s obviously a shame, but even at this best his art was must more or less OK, and his lesser work can distressingly rough and stiff. Sadly, this includes his work on the Champions.

    Things picked up shortly with fill in art by George Tuska, and then the solid pencils of Bob Hall. However, it was with issue 12 and the premiere of penciler John Byrne that things really took off. Sadly, the book was all but cancelled by then.

  • Luke Blanchard

    I said 50s – more accurately, Venus’s series ran 1948-52. Her return in Sub-Mariner could have been editor Roy Thomas’s idea – it’s very much in his line.

  • Calling Don Heck a hack is indeed a bit harsh. Certainly he’s no Jack Kirby or Alex Ross, but back in the day he did a lot of the heavy lifting that made the marvel universe possible.

    Of course, had I known then what that universe would be like now I’d have told him not to bother.

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