I don’t think I’ve allowed my political stances to play much of a part in my blog postings, but the recent Mel Gibson affair does raise some questions.
Without defending in any way Mel Gibson’s horrific and genuinely disgusting anti-Semitic remarks (I can only hope for the state of his own soul that the sober Gibson truly is as ashamed of his tirade as he says he is), I do have a couple of questions.
1) For those calling for him to basically be tossed out of the Hollywood community, how many of them voted for Roman Polanski to win an Oscar for The Pianist, and how many of them have no problem with John Landis or Victor Salva continuing to make movies? Surely molesting/raping minors and being responsible for the negligent deaths of an adult and two children is a worse moral offense than even the most appalling verbal tirade and/or deeply held racist beliefs.
2) I realize to an extent this is apples and oranges, but if it’s OK to argue that Gibson should be cast out of the community—in other words, kept/discouraged from making movies—for believing, as he obviously does at some (hopefully unconscious) level, that Jews are evil or whatever, what is the big problem with the film community shunning Communists back in the ’50s? Being a Communist back in the ’40s and ’50s, the heyday of Stalin and Mao, was certainly at least as morally disgusting as being anti-Semitic, isn’t it?
If the general critique of the Blacklist is that one should never be ‘persecuted’ (in this case, lose his job) for his political beliefs, shouldn’t Gibson fall under that protective umbrella as well? At least Gibson has apologized (hopefully sincerely) for his sins. How many of the Hollywood Ten or their ilk (since the vast majority were in fact card-carrying Communists, let’s not get sidetracked into discussions of those who were innocent) have ever presented themselves as anything other than heroes and martyrs whiling dodging entirely the moral dimensions of their beliefs? Meanwhile, Elia Kazan and the like are still hated by many in the filmmaking community.
By the way, I’m sure that Gibson will continue to make movies, and that his career will basically continue on based on his box office popularity (meaning that the public does indeed, in the end, have the final word).