At the Movies (02/19/10)…

The biggest critical hit among the biggest releases last week was Percy Jackson and the Something Harry Potter, which drew a mediocre 50% from Rottentomatoes.

This week things look a bit brighter, but not as much as you’d expect, with Shutter Island drawing a not really that much better (so far) 65%. That’s enough to earn a good tomatoes from the site, but only just. (It doesn’t even do quite that well at Metacritic, which weights their reviews, earning just 63% over there.)

This from a film that had about as impressive a pedigree as you’re going to see these days. It was directed by Martin Scorsese, stars Leonardo DiCaprio (have to admit, not the biggest fan), and taken from a book by Dennis Lehane, from whose Clint Eastwood made Mystic river (an 88% at RT), and Ben Affleck made Gone Baby Gone (94%). That’s right, Affleck even beat Eastwood, America’s one great director these days, but killed Scorsese. And let’s admit it, Scorsese had a LOT more resources at his disposal.

Drawing rather better reviews is Ghost Writer, a political thriller starring Pierce Brosnan and Ewan MacGregor. Of course, you also have to get past the fact that it was made by a child rapist. I’m kind of a stickler on that sort of thing, which is why I’ve never watched one of the Jeeper Creepers movies either.

Anyway, those are the big films this weekend, so expect the stuff from last weekend to carry over fairly well. The big question for me is whether Valentine’s Day will carry on at number one, considering the title itself dated the movie to last weekend.

Consider this an open thread for anyone who sees a movie in a theater this weekend and wants to comment on it.

  • I saw Wolfman this week. I rate it a solid B+.

    STUFF SANDY LIKED

    The wolfman makeup was the classic wolfman, which enabled the critter to have some expression in closeups, unlike the snouted werewolves who became common in the 1980s.

    A problem with any werewolf movie is the trope that no one believes it’s a monster until late in the film, when they go and get something silver and immediately kill the monster easily. In this film, silver bullets are utilize4d early and often – it’s just the werewolf is so bad-ass and fast it can kill you anyway.

    THINGS SANDY HATED

    Pedestrian dialogue. At one point Del Toro actually says, “if anything happened to you … I’d never forgive myself.” the triteness fairly explodes off the screen.

  • Plissken79

    I am planning on catching Shutter Island on Monday, although it would be nice if Scorsese could make a film without DiCaprio. I am not much of a DiCaprio fan, but Scorsese gets more out of him than any other director I have seen, especially in The Departed

  • Dr. Whiggs

    I think DiCaprio is Scorsese’s new DeNiro (in that they work with each other a lot.)

    Also, if I can make an unreasonable request, can we put the word “trope” to rest? Its popularity just came back out of nowhere (largely from the “make shit up and call it a cliche” tvtropes wiki) and it is such an ugly little word.

  • Elizabeth

    Ew, I didn’t know that about Salva. And I saw Jeepers Creepers in the theater, damn it. (It was that or watch “The Princess Diaries” with my mom.)

    I have two possible explanations for the disparity between “Shutter Island” reviews and reviews for other work by the same artists:

    a) Great directors, actors, and writers are by no means guaranteed to be any good at horror; or
    b) Some critics just don’t fucking like horror movies.

    Has anyone ever gone through the works of the big critics and determined that X, Y, and Z never give good ratings to horror movies or other genre flicks? Is that a thing?

  • BeckoningChasm

    Only kinda related to movies, one of my favorite books is due out in a newly revised edition:

    http://www.mcfarlandpub.com/book-2.php?id=978-0-7864-4230-0

    I need $100.

  • JoshG

    “Has anyone ever gone through the works of the big critics and determined that X, Y, and Z never give good ratings to horror movies or other genre flicks? Is that a thing?”

    I doubt it but that is a good idea. Maybe that’s something I can persue in my spare time.

  • Petoht

    I’m interested in Wolfman, but only because I really like del Toro, and he seems to be channeling Cheney a little. At least in the ads.

    Shutter Island, frankly, doesn’t interest me. Neither did Gangs of New York, and Departed was a bore. Some director/actor pairings can create wonderful films that I deeply love (ie: Burton/Depp), others seem to produce lifeless dross that isn’t worth the time. And it seems that Scorsese/DiCaprio is the later.

  • Blackadder

    “Great” directors should never make genre flicks.

    They feel like the subject matter is beneath them, so they try to make a horror movie (for example) without really making a horror movie. That’s how you end up with something like Frankenheimer’s laughably pretentious Prophecy, Boorman’s thoroughly atrocious Exorcist II, and Coppola’s perversely miscast Dracula. Also Spielberg’s War of the Worlds and the last Indiana Jones movie.

    No thanks.

  • Elizabeth

    Shut up, Blackadder, Prophecy is fucking AWESOME.

    … okay fine so it’s not any GOOD, but it’s AWESOME.

    (On a more serious note, I do feel honor-bound to defend the non-actor parts of Spielberg’s War of the Worlds. Beautiful. Just beautiful.)