Monster of the Day #3519

Oh, well, back to work today.

Roger Corman, following having directed (not even counting films he produced) 23 movies in six years, moved into the futuristic new decade of the 1960s. Sensing the market was shifting, he went to AIP, who was generally spending two hundred thousand for a pair of black and white movies at this point. However, signs were starting to appear that the tastes of the drive-in / teen audience were starting to change.

Corman, with his record of success, was able to convince them to let him spend that SUPER HUGE two hundred grand on one film, a color one with an actual star. He proposed to make an Edgar Allan Poe adaptation of The Fall of the House of Usher starring Vincent Price. AIP was mostly convinced, if nervous, but asked the obvious question (one Corman himself learned with the original cut of The Beast with a Million Eyes), “Where’s the monster?”

Corman, ready for the question, quickly responded, “The House is the monster.”

Anyway, he got their approval and history was changed.

Watch Party on Friday.

  • What helped the Poe flicks enormously was guys like Richard Matheson and Charles Beaumont writing the plots. Both could do so much with so little.

  • Gamera977

    I love these movies, they’re some of my favorite horror films!

    Though I do find the production of Lovecraft’s ‘The Case of Charles Dexter Ward’ as ‘Edger Allen Poe’s The Haunted Palace’ a little annoying. Yeah, I know Poe is a bigger name but still it peeves me. It does have Price at his most creepy and Debra Paget, one of the most beautiful woman to appear in film IMHO.

    And ‘The Fall of the House of Usher’ and ‘The Masque of the Red Death’ are classics.

  • Eric Hinkle

    I agree on ‘Fall’ and ‘Red Death’. This will sound weird but I love the scene in the latter where the little girl, after escaping Prospero’s doomed castle, is seen with one of the Deaths as he gently talks to her. The other Deaths appear and talk about their work, and they go, leaving the child in peace.

  • The Rev.

    Doesn’t sound weird at all to me: that’s one of my favorite movie endings. It’s darkly funny but also weirdly touching. Funnily enough, I just re-watched it this weekend. One of my Roku streaming channels was playing Corman films throughout the week, and it was on after Witchfinder General, which I had not seen yet, so I stuck around because of course I did.