Monster of the Day #3366

Although Mr. Gordon’s work in the 1960s often involved the macabre, he was definitely straying from his giant monster work of the 1950s. The ‘60s saw a kiddie film, a ghost story, a TV pilot built around that ghost story, a kid-oriented sword and sorcery flick, another TV pilot ripping off My Favorite Martian, and a psycho thriller. The latter was 1966’s Picture Mommy Dead (and the last film of Mr. Gordon’s to star his daughter Susan). Then there was a four year break before he roared back in the ‘70s.

Picture Mommy Dead was a signal that Mr. Gordon was done with kiddie fare. The film right before that, though, is a sort of Bridge Picture. Village of the Giants is a very weird family comedy that, sort of, represents Mr. Gordon’s first whack at a film vaguely based on H. G. Wells’ The Food of the Gods. It’s also a counter-counter-culture movie that clearly expresses Mr. Gordon’s own spleen at the radicalized youth that were starting to be a national issue in the country. Even so, it remains kid friendly (although again you can feel Mr. Gordon’s burgeoning impatience at the restrictions that sort of thing entailed), albeit maybe more a teen movie. I guess I’d compare it in tone to the Frankie Avalon Beach Party sort of movies. Albeit starring a young Ron Howard—great casting—as basically the white Urkle of his day.

This the last film for over a decade wherein Mr. Gordon fell back on his expertise with gigantism-themed cinema. A bunch of nogoodnik kids (although we’re talking PG nogoodnicks at worse) who eat a compound created by daffy young super-genius Ron Howard that causes them to grow to Amazing Colossal Man heights. They then take over their small town as an act of revenge on the uncool adults who has always been harshing their mellow. The leader of the enormous delinquents was played by none other than a young Beau Bridges.

Seeking to keep the kids entertained (the teens were covered by the boob jokes and implied hot girl nudity), Mr. Gordon provided an embiggened comical duck, a huge spider, and even more terrifying-although I can’t remember if the film realizes it or not—enlarged housecat. That’s beyond frightening. Look, if your dog suddenly became a big as a horse, no problem, because he’s still your dog. The only danger might be getting crushed to death when it tries to climb in your lap. If your cat was suddenly as big as you are, though, you’d be screwed.

  • 🐻 bgbear_rnh

    My old cat is too lazy to be much of a threat.

  • Gamera977

    I think I’d rather go up against the two-headed dragon from ‘The Magic Sword’.

  • 🐻 bgbear_rnh

    “Breakfast at Tiffany’s” would have been better if Cat had been embiggened.

  • Rock Baker

    Said cat is the only giant that remains unaccounted for at film’s end. It walks out of the house and is never mentioned again. Unless it somehow got caught in the reducing smoke Genius concocted, there was still a giant tabby roaming around loose…

  • Eric Hinkle

    The giant Tabby isn’t that hard to handle. Just give him a bag full of catnip and then zap the cat with the cure while it’s too stoned to care about anything.

  • Unsafe at any size.

  • 🐻 bgbear_rnh

    You need a really big empty cardboard box.

  • Beckoning Chasm

    He (Orangey) got embiggened…or rather, Scott got ensmalled…in “The Incredible Shrinking Man.”

  • 🐻 bgbear_rnh

    I want to see Mickey Rooney yelling “Aaah, Katzilla” while pointing.

    90% sure Orangey is the cat here in “Village” as well.

  • Ken_Begg

    I want to see Mickey Rooney in BaT eaten by that cat.

  • zombiewhacker

    Alan Caillou, the writer of this catastrophe (see what I did there?) would go on years later to pen the screenplays for the movies Evel Knievel and Kingdom of the Spiders. So that’s… an improvement, I guess? However, Caillou found greater success as a TV and movie character actor, appearing in everything from One Step Beyond to Bonanza to The Sword and the Sorcerer. I’ll say this for him, he had quite the varied career.

    That aside, this movie is genuinely notable for great music by Jack Nietzche. (Quentin Tarantino later borrowed part of this same score for Grindhouse, so clearly he was a fan. Also worth mentioning is the cast of former child stars or relatives to more famous parents/siblings that appear in this film: ex-Disney star Tommy Kirk, the aforementioned Ron Howard (his dad Rance plays a sheriff’s deputy), Tisha Sterling (daughter of Ann Sothern), Beau Bridges (son of Lloyd and brother to Jeff), Tim Rooney (son of Mickey), Johnny Crawford of The Rifleman fame, and Kevin O’Neal (brother of Ryan). Now throw in 60s music group the Beau Brummels, Joe Turkel as the sheriff, future singer/one-hit wonder Toni Basil (“Mickey), and future Jeopardy champion Hank Jones, and you’ve got one whale of a cast. Too bad the final product isn’t much good.

    However, if you feel compelled to see this move anyway, please try and catch the MST3K version, it’s one of the best Mike Nelson episodes.

  • Rodford Smith

    Nope. I know where to scratch. :-)