It Came from the Library Shelves: Bat-Manga by Chip Kidd

Although it doesn’t attain the spectacular, mind-blowing, everyone in the world should own it levels of Fletcher Hanks’ I Shall Destroy All Civilized Planets (man, I can’t wait for the sequel book in July), Bat-Manga is about as close as you can reasonably expect another tome to be.  This is simply deliriously fun stuff.

The book is a collection of Japanese Batman comics from 1966 and ’67, from the era when campy Batmania was traveling the world due to the Adam West TV show.  These comics were written and drawn by Jiro Kuwata, the creator of such mangas as 8-Man.  Mr. Jiro, as it turns out, specialized in mangas adapting American TV shows, including The Invaders and The Time Tunnel.

The art style here is very familiar to fans of Japanese cartoon shows of the time, programs such as Prince Planet and Gigantor.  The writing is typically weird.  The villains are more like pumped up versions of Dick Tracy’s overly baroque foes than regular members of the Batman Rogue’s Gallery.  Only one villain here seems based on an actual Batman enemy, that being a version of the shapechanging Clayface, one of Batman’s few sci-fi oriented antagonists.

The rest include a weirdo with a weather controlling wand, a skeletal figure who seems immortal and calls himself Lord Death Man, and a gorilla who gains human intelligence and declares war on mankind for it’s cruelty to animals.  Another fellow loses his face and takes his revenge on other faces–admittedly, a very Batman-like psychosis–including at one point going after Batman’s gigantic “likeness carved onto the face of Mount Gothem!”  Sure enough, Batman and Robin catch the guy in the act.  “He’s using a high-pressure rock-pulverizer rifle!” Robin exclaims.  Hey, what else?

The only downside to the book is that copies of these old comics are spotty, and several times the final chapter to one of the multi-part story arcs is missing.  This is obviously annoying, but there is enough wonky joy to be derived from the contents that it didn’t cripple my pleasure from it. Also, because it’s manga (which I don’t read), it took me a bit to fully get into the last page to first page ordering of the story, and to read the dialog balloons from right to left rather than left to right.

In compensation, the book is gorgeous.  It’s oversized, and the paper and production values are very high.  The comics tend to be in black and white (on yellowish paper), although every once in a while we get a page or three in color.  I guess it was actually printed that way originally.  Between the comics themselves, we get wonderful full color pictures of various Batman toys and geegaws as sold in Japan, ranging from the normal (Batmobiles, Batplanes) to the inappropriate and often downright bizarre (a Batman rifle, a Batman gas pump).  My library carried the paperback edition, which as noted is quite swank, but apparently there’s an ever ritzier hardcover edition.

Seriously, you will want to check this out. Unless you haven’t read I Will Destroy All Civilized Planets yet. If you haven’t, get on that first, lest you accidental die before reading it and ruin your entire life as spent here.

(For some reason I could only find an Amazon link to the hardcover edition.  However, from there you can follow the “also available” link to the paperback.)

  • fish eye no miko

    The comics tend to be in black and white (on yellowish paper), although every once in a while we get a page or three in color. I guess it was actually printed that way originally.

    Yep. I don’t think I’ve ever heard of a manga done in full color. They might use a colored ink so the image will have, say, a greenish tint, but that’s pretty much as close as manga gets to being in color.

    Weird, I barely even notice it anymore, and hadn’t though that it might be off-putting to people used to full-color American comics.

  • The rest include a weirdo with a weather controlling wand, a skeletal figure who seems immortal and calls himself Lord Death Man, and a gorilla who gains human intelligence and declares war on mankind for it’s cruelty to animals.

    The weirdo with the weather control wand sounds like the Weather Wizard, and I’m pretty sure Batman has fought any number of super-intelligent gorillas.

  • Yeah, but you don’t really get any sense that these characters were imported from American Batman comics. In fact, I’m not sure Jiro really read many/any before taking up the gig.

  • Luke Blanchard

    The Weather Wizard was originally a Flash villain, but he met Batman in Detective Comics #353, cover-dated for July, 1966. So it could be Jiro Kuwata looked at some recent Batman comics. In the period that would’ve meant looking at comics from the earlier part of Julie Schwartz’s tenure as Batman editor, when artist Carmine Infantino set the feature’s visual look.

    There was a story with an intelligent criminal gorilla in Detective Comics #339, cover-dated May, 1965. At one point he thinks of how he was taken out of the jungle and made to do tricks in a circus, and now means to make us humans pay by stealing our “treasures–like money and jewels”. But this motivation does not play a big role in the tale.

    The cover of Detective Comics #319 (cover-dated Sept. 1963) has a villain destroying a giant likeness of Batman on the side of a mountain. But that’s from a few years earlier, and before Schwartz took over.

    The Infantino-era stories had more elaborate action sequences than those had appeared in the strip previously. Those who’ve seen the manga stories will have to tell me if the manga version followed the contemporary American comics in this.

    Finally, I have no idea if Jiro Kuwata knew English. If not, it could be he looked at some US stories, but had to infer what was going on in them from their pictures.

  • Luke Blanchard

    I’m no expert on manga, but I think manga publications often carry a few pages in colour. In the reprints I’ve seen these are sometimes reprinted in colour and sometimes in B&W, with the colours coming out as greys.

  • fish eye no miko

    Luke Blanchard said: “I’m no expert on manga, but I think manga publications often carry a few pages in colour. In the reprints I’ve seen these are sometimes reprinted in colour and sometimes in B&W, with the colours coming out as greys.”

    Yeah, often the first few pages (which are often just a more artistic redo of the end of the previous chapter to catch you up, or “splash” pages) will be colored, though in most of the manga compilations I have, they’re just grey-scale.

  • fish eye no miko

    I should clarify my last comment:
    Most manga comes out a chapter at a time in a magazine (Shounen Jump, for example, which is put out here in the US, as well), and in THAT format the first three pages are colored. But when put into a smaller, multiple-chapter volume set (the little manga graphic novels you might see in book stores), those pages are grey-scaled. Well, I tend to just get the volume set, so… yeah…

  • Luke Blanchard

    Thanks, fish eye.

    Re-readng Ken’s post, it looks to me like the story with the faceless villain was definitely based on the cover story from Detective #319. The cover, which has “Dr. No-Face” destroying a giant bust of Batman with a gun, can be found at http://www.comics.org . According to an online precis of the story (spoiler warning), in this version a scientist loses his face in an accident, and seems to become obsessed with defacing things. It turns out a criminal has taken his place and has been feigning insanity as a cover for robberies.

    The other pre-manga Batman vs. a gorilla story that I know of is “The Gorilla Boss of Gotham City!”, about a mobster whose brain has been transplanted into a gorilla body. This originally appeared in the early 50s, but it was reprinted in Batman Annual #3 in 1962.

  • fish eye no miko

    Dr. No-Face? He should team up with Two-Face…