DVDs this Week (12/21/10)….

I’m not sure why they’d release all this stuff a few days before Christmas, when many won’t have time to shop for it / add it to their Amazon lists. However, if anything could push the latest season of Futurama off the Pick of the Week spot, it would be this:

Yes, that’s Urkle. Awesome.

That said, lots of good sci-fi TV this week, indeed including the 13 episode 5th season of Futurama. I dropped many of my cable stations a while ago, so I’ve only see a couple of these. Now I can see the rest.

The third of the Family Guy Star Wars specials, It’s a Trap, hits shelves today. Also a ‘trilogy’ package of the three is available.

The Battlestar Galactica prequel Caprica gets a Season 1.5 set.

And for far hokier, but arguably more fun, monster action, there’s finally the last set of Voyage to the Bottom of the Sea episodes, Season 4 Volume 2. Aliens, beast-men, the Abominable Snowman, lobster-men, the return of Blackbeard the pirate and more, all served up Irwin Allen style! And say what you will, the Seaview might still be my favorite sci-fi vehicle of all time.

Not a lot of movie action.

Devil The monster (or whatever) in an elevator movie from earlier this year.

Skirt Day Isabelle Adjani plays a teacher who cracks and takes her unruly class of punks hostage at gunpoint so she can actually teach them something. Looks like a French version of the schoolploitation stuff that was popular here back in the ‘80s.

DTV Horror
Cyborg 3
Dismal
Horde
Another zombie movie, although bloodydisgusting.com liked it.
Stonehenge Apocalypse

  • BeckoningChasm

    I thought “Dismal” was your one-word review of “Cyborg 3.”

    As for “Mega-Shark vs Crocosaurus,” well–Asylum, fool me once…

    The next one should be “Mega-Shark vs. My Complete Disinterest.”

  • BC – I agree, but I really think they had the right idea with MS vs GO, they just didn’t have the budget to pull it off. Two or three more minutes of crazy CGI action would have aided that film immensely. However, they got a LOT of web buzz about the film, and probably sold many, many more copies of it than any other of their films. So I’m hoping they’ve invested for some more f/x stuff this time around.

    At the moment, Netflix only has it listed as “save” film rather than a rentable one. I want to check it out, but can’t imagine buying it.

  • BeckoningChasm

    Ken – yeah, maybe some more effects would have carried MS vs GO into a more enjoyable state…but as it was, I found it almost depressing. It felt so rote and by-the-numbers…in a sense, like the old AIP films that were made after the title and poster tested well with distributors. I realize they’re not going to get Martin McDonagh to write these things, but it almost seems as if, to Asylum, “screenwriter” means “loser who drew the last film position out of the hat.”

    I also bought it after seeing the admittedly great trailer. That’s why the MS vs Croc trailer makes me think, instead of “Cool,” “Oh, like I’m going to trust you again.”

  • Well, again, I can’t disagree with you. That’s why I’m hoping to rent rather than own. And if I just see some progress, I’d be satisfied.

  • Zandor Vorkov

    I love The Asylum trailers. They show you all the good stuff so you don’t actually have to watch the movie. Very considerate of them.

  • Ericb

    I’ve never actually seen an Asylum film though I have to say I’m intrigued by the upcoming feature about Jupiter’s Great Red Spot storm traveling through the vacuum of space and “landing” on Earth (a neat trick since the spot is many times the size of the Earth). Now that is an almost Challenge of the Superfriends level of plot insanity. I hope it shows up on Netflix.

  • Foywonder

    If you’ve never seen an Asylum movie Mega Piranha is really the one to watch. A bad movie by every stretch of the imagination but done so with an undeniable amount of enthusiasm and imagination.

    Mega Shark vs. Crocosaurus… I’m still unsure to make of what I just watched. It appears to have been made with the mentality that because this is supposed to be nothing more than a big stupid monster movie nothing has to make sense in the slightest and we should just overlook the myriad of continuity errors, both technically and script-wise. There’s no denying there is some amusement in watching this train wreck of a movie yet at the same time I frequently felt like there was a flagrant disregard for my intelligence as a viewer.

    Examples:

    The Crocosaurus emerges from a cave. The next shows us the Croc standing in front of the cave that it is now so much bigger than the cave entrance appears to be smaller than its throat.

    A female government agent introduces herself as a special agent for NOAA and later introduces herself to someone else as a Secret Service agent. Which is it?

    The movie is chock full of such errors I’m convinced they either began filming without a script or they desperately needed a script supervisor to keep track of such things.

    Absolutely more action than the previous Mega Shark movie but the trade-off is that the action occurs in micro bursts, the computer effects are infinitely worse looking than in either of the previous Asylum “mega” movies, the titular fight is mostly just a series of underwater tail/fin biting death spirals, and do not expect a single moment anywhere near as epic as the megalodon shark biting an airliner out of the sky in the original.

    The original is charmingly quaint compared to this overly aggressive, carelessly rushed follow-up. I felt like I was watching anime: nothing made any damn sense and the characters were constantly speaking in loud, declarative statements; that is when they weren’t outright yelling their dialogue.

    PS – You can rent Mega Shark vs. Crocosaurus from RedBox for a buck. I’m glad I didn’t pay a penny more.

  • Kirk

    Quad 40mm Bofors mounts? What museum ship did they film this one on? We phased those out in the 1980’s.

  • P Stroud

    Isabelle Adjani can take me hostage any time.

  • Reed

    Someone actually named a movie “Dismal”? That’s a little too much truth in advertising. I mean, c’mon, show a little pride in your work!