It Came from Netflix: The 36th Chamber of Shaolin

As I’ve noted before, one of the most interesting aspect of watching the tons of Shaw Brothers kung fu movies recently released on DVD here is seeing one company play around with the parameters of a fixed genre.  Most evidently, the films range from ones in which no one is killed to ones where pretty much everybody dies in a horrifying Shakespearian-style bloodbath.  Sometimes they are more or less flat out comedies, while others are incessantly serious, even grim.  The one thing you can always count on from the Shaws, though, is opulent production values and slick fight choreography.

The 36th Chamber of Shaolin, apparently one of the genre’s classics, has much individuality.  Running more or less a fairly lengthy two hours, it features a lengthy prologue, a long training segment (the majority of the picture) and a wrap up that is efficient to the point of being almost perfunctory.

Gordon Lu Lui stars as the young San Te (a real historical figure), who is a budding patriot against the Ching dynasty.  Sadly, the villains Ching forces, empowered by their knowledge of kung fu, eventually kill all his comrades.  San Te flees and eventually ends up at a Shaolin temple, planning to learn the monks’ legendary kung fu.  However, his plans are controversial, because while the monks see kung fu as purely a spiritual discipline, San Te wants to go out and use it to combat evil in the larger world.  He also speaks of teaching it to civilians, which seems like it might cause more problems than it solves, but there you go.

San Te proves a prodigy, and my natural disinclination to buy a man already in adulthood mastering kung fu is ably mitigated by the length of the training segment of the film, which easily represents half it’s running time.  San Te must master each of the fabled 35 Chambers of kung fu, all of which painfully focus on strengthening one particular skill or body part.  To the delight of (most of) his masters, the single-focused San Te whips through the various levels of training in comparative short order, i.e., a small number of years.

This is the meat of the film, and it’s pretty great.  The training regimens are realistically harsh, and the students are left bloodied and battered by their trials.  Handled less expertly, the length of this portion of things would begin to drag, but here’s it remains fascinating throughout, largely because of Lui’s charisma and amazing athleticism.

By the time San Te returns to his village to take care of business, the end of the movie is almost an afterthought.  It’s still satisfying, but it’s the training section of the movie that makes it a classic.  Great stuff.

The DVD presentation, like most of these, is extremely good.  The film is also available on Blu Ray for a very decent price.

  • Ken, your lack of a solid liberal art education is sad. When you say 36th Chamber is “apparently” one of the classics you aver too little. Probably a hundred other films were based off elemnts of this great flick, including the Karate Kid.

    Also his Westernized name is Gordon LIU (not Lui, unless it was simply mispelled on your version of 36th Chamber, which is certainly possible). lIU later made a career out of playing kung fu monks. He is one of my favorite Chinese action characters, both as a villain & a hero.

    We got to get you up to grade on kung fu, Ken.

  • Well, to be fair, that’s sort of what I’m doing now by renting all of these.

  • Gordon Liu was something of an adopted brother of Lau Kar-Leung, the film’s director and choreographer. This movie has 2 official sequels and one semi-sequel. The former are “Return to the 36th Chamber” (a comedy with Gordon playing the lead and another actor playing San Te) and “Disciples of the 36th Chamber”, where Gordon plays San Te again and Lau Kar-Leung protégé Hsiao Ho plays Fong Sai Yuk (the one Jet Li played in Fong Sai Yuk/The Legend).

    Supposedly, Gordon Liu didn’t like that the first sequel was a comedy, so he made his own semi-sequel, “Shaolin and Wu Tang”.

  • So far as I am concerned, Gordon Liu is incapable of doing wrong. He has never failed to entertain me, even when the movie surrounding him is less than stellar.

  • Also, why would I have any interest in being FAIR to you, Ken?

  • “So far as I am concerned, Gordon Liu is incapable of doing wrong. He has never failed to entertain me, even when the movie surrounding him is less than stellar.”

    His fight with Donnie Yen was the best thing about “Cheetah on Fire”.

  • Rock Baker

    With all these Shaw Brothers releases, has a scope (and hopefully dubbed) edition of Inframan made onto shelves yet? And what about that Legend of the Seven Golden Vampires? That was a Shaw co-production, right? (and if I may continue on that line, is Legend of the Seven Golden Vampires the same film as The Seven Brothers and Their One Sister against Dracula? Provided I remembered that strange title correctly, I saw a trailer for it on the end of a tape, maybe Werewolves on Wheels)

  • Infra Man is out in Scope, it’s even got a Shaws Brother logo on it. And yes, Seven Brothers and Golden Vampires are the same film, although I can’t remember if one is a more edited version or not.

  • Rock Baker

    Thanks for the info, Ken!

  • Sounds great. I need to get into more Kung-Fu. It’s one of those genres that I’ve neglected.

  • The Rev. D.D.

    Jim–find Heroes of the East as soon as you can for more Gordon Liu goodness. I recently saw this and am now spreading its praises every chance I get.

    I am now on the hunt for more Liu movies, like this one, because holy crap he’s even more incredible than I thought.

  • Rev – You should check out Lau Kar-Leung’s “Tiger on Beat”, with Gordon, Chow Yun-Fat, and Conan “kind of looks like Jackie Chan” Lee. Gordon and Conan have a sword fight…with friggin chainsaws at the end!

  • The Rev. D.D.

    Even if you didn’t have me with the cast and director, you defintiely would’ve had me with “chainsaw sword fight.”

  • zombiewhacker

    The Legend of the Seven Golden Vampires is the full version.

    The Seven Brothers Meets Dracula is the edited version and runs 72 minutes, about fifteen or so minutes shorter than the original. Worse, certain scenes in Seven Brothers are shown out of sequence, while at least one other scene appears twice (IIRC), which doesn’t happen at all in the original cut. In short, the continuity in Seven Brothers is hopelessly out of whack.

    Rent Legend and avoid the chopped up Brothers reissue at all costs.