Watch Party postponed to next Friday

Hey, everyone! Sorry for the late notice. I got back home late (for me, anyway) Tuesday. My trip to Dallas marked two trips nearly back to back, and of course I am way behind at work due to my twin absences. Frankly, I'm beat. Oh, and I have a out of left field social…
Monster of the Day #3984

Monster of the Day #3984

I've said it before, but I'll say it again. It must be weird to design a monster that's meant to appear in one episode of a 50 chapter show that is part of a long, long skein of shows.
Monster of the Day #3983

Monster of the Day #3983

This will be a short week (as will next week) as I leave for Texas on Thursday. I'll see some of you there. This will be last Fest in Dallas--unless we find another home for it--so expect further Fests to be in Utah.
Monster of the Day #3982

Monster of the Day #3982

Who's had a weirder directorial career than Bob Clark? Black Christmas. Murder by Decree. Porky's. A Christmas Story. Rhinestone. Baby Geniuses. Man, that's quite a spread.Clark did a lot of horror early on, though. 1972 saw Children Shouldn't Play with Dead Things. 1974 saw his next two movies, Black Christmas and our subject today,…
Monster of the Day #3881

Monster of the Day #3881

Wes Craven had a *lot* of horror movies that are basically forgotten now; Deadly Blessing, Deadly Friend, Serpent and the Rainbow, Shocker, The People Under the Stairs, Vampire in Brooklyn (starring Eddie Murphy as the titular undead!), the Production Hell entry Cursed, My Soul to take. On the other hand, he made The Last…
Monster of the Day #3880

Monster of the Day #3880

I don't think Sam Raimi's Drag Me to Hell is as forgotten as Peter Jackson's The Frighteners. Of course, it was also made nearly 20 years more recently. And in any case, I also don't think it's reputation remotely matches its worth. It's not a perfect film, and the worst aspect is that you…

Watch Party this Friday

Time to squeeze on in before I leave for Dallas next week. Assuming I can find a film that hasn't be spuriously copy write claimed or slapped with commercials, as YouTube has been going nuts doing lately.