Monster of the Day #527

Updated on July 30, 2012 By Ken Begg 16 Comments

This scene is quite paneful.

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  • Ericb

    Pitch from the Rob Zombie remake of the Mexican Santa Claus.

  • bgbear_rogerh

    told you not to feed them after midnight.  

  • Flangepart

    “Stop foggin’ up the glass, ya jerk!”
    And…minus signs for pupils.

  • Octopus eyes and pointed ears. It’s either a sea monster or a demon. Either way, I’m completely stumped.

    On a side note, this site has really tested my patience. I detest puns, yet I have great respect for Ken. I’m constantly torn.

  • Gamera977

    I’m never understood why if you leave a window half open a monster will keep banging into the closed half instead of going out the open half… 

  • If it’s any comfort, I’ve seen the movie in question and I didn’t realize where that capture was from.

  • Ken_Begg

    C’mon, Beverly Sills told me that joke.

  • Greenhornet

    Windows 2012 had only one glitch…

  • Ericb

    “Ya gotta believe me!  I was framed!”

  • Flangepart

    “On tonight’s panel, Glazier to the netherworld Nargathrond the impaler shows us how to install glass made from dammed souls, for only a fraction of the cost of professional damnation.”

  • The Rev.

    That’s a neat looking demon.  What’s this from?

  • Ken_Begg

    It’s from Raimi’s Drag Me to Hell. Good stuff, it being his riff (not a remake) on the classic Curse of the Demon.

  • The Rev.

    Ah, I didn’t realize any actual demons like this showed up.

    Yeah, I noticed the resemblance to that particular beastie.

    I suppose I should check if this is on Netflix or Hulu or something.  I never did catch it, shame on me.

  • Ken_Begg

    The views of this demon are pretty elliptical. I would again suggest watching Curse of the Demon before watching this; part of the fun is seeing Raimi’s take on similar material.

  • The Rev.

    Well, I hardly need an excuse to rewatch CotD.  I shall keep that in mind before I watch this.

  • Ken_Begg

    Yes, or Night of the Demon (the British version; a slightly different cut).

    I wish there were more films like Drag Me to Hell, not straight out remakes, but riffs on previous films, taking elements and going in different directions. The only other film I can think of like that is Miller’s Crossing, which is clearly the Coen Brothers’ take on the French gangster flick Le Doulos.