Monster of the Day #920

Monster of the Day #920

Man, there's nothing that's not marvelous about that. Sadly, that's the last cover for this short-lived series. Short, but sweet.
Monster of the Day #918

Monster of the Day #918

Thanks to walking comic book encyclopedia Luke Blanchard for the skinny on these obscurities. Man, I loves me some submarines. Toss in some monsters and I'm in hog heaven. Jeepers, these comics had such gorgeous covers.
Monster of the Day #917

Monster of the Day #917

Does the Captain, not to mention an Admiral, really have to deal with this stuff personally? Looks like a natural location for a large iguana, certainly. I guess Admiral Nelson was in overall command and then Captain Crane ran the boat on a day to day basis? I never thought they made that very…
Monster of the Day #915

Monster of the Day #915

Looks like these guys should have teamed up with the Sea Devils. Although a giant octopus on a leash is better than the dolphins. I like the crazy diving suits, however. Giants were always grabbing the Seaview's sporty fins and rocking the ship around. Yet they never installed seatbelts in the chairs. Dummies.
Monster of the Day #913

Monster of the Day #913

Rather better than yesterday's snoozefest (admittedly the epitome of damning with faint praise) was this MTV (!) throwback that combined springbreak-style teen action with lovingly stop-animated monsters. It's kind of on the nose to have Adam West play a scientist named Ray Harryhausen, but it's that kind of movie. Still, if you ever wanted…
Monster of the Day #912

Monster of the Day #912

So the day before the Tri-Star Godzilla was released, Fox pulled a Corman and telecast Gargantua. It was a sad little wet fart of a movie, and basically Gorgo meets Free Willy, about dad Adam Baldwin reconnecting with his young son on a tropical island, as in a parallel plot (wow!), first big brother…
Monster of the Day #911

Monster of the Day #911

You wonder what Roland Emmerich thinks of the new Godzilla movie, which is basically already a hit. Emmerich's film made money, although given the HUGE advertising blitz Tri-Star put into it, not enough to inspire a sequel. This decision was probably made easier by the fact that pretty much nobody liked the movie. That…